welcome to my bird's nest, a collection of the things i make and find, of the stories i carry. get cozy.
hear what you want to hear here(s):

i make sistersongs in the band, FESTIVAL
i make whimsical little movies
i contribute to collective media-making
hear the sounds i make alone.


that's a lot of arms and legs. one day perhaps it will all fit together in one place.

if you'd like to share your own hearsay and/or hyperbole, send it my way: hearsayandhyperbole at gmail dot com
xo, alexis

“I’m going to read ‘Wild Geese’…because people kinda sometimes get mad when I don’t…”

(duh)

“Her lady shadow mounted the stairs ahead of her experimentally.

Fiction forms what steams in us.

Naturally it is suspect.

What does not wanting to desire mean?

Means I hope this thing is working says the wife as she sets her alarm clock

on the table by the bed.”

from The Beauty of the Husband by Anne Carson

IN THE BODIES OF WORDS

For Elizabeth Bishop (1911-1979)


Tips of the reeds silver in sunlight. A cold wind
sways them, it hisses through quills of the pines.
Sky is clearest blue because so cold. Birds drop down
in the dappled yard: white breast of nuthatch, slate
catbird, cardinal the color of blood.

Until today in Delaware, Elizabeth, I didn’t know
you died in Boston a week ago. How can it be
you went from the world without my knowing?
Your body turned to ash before I knew. Why was there
no tremor of the ground or air? No lightning flick
between our nerves? How can I believe? How grieve?

I walk the shore. Scraped hard as a floor by wind.
Screams of terns. Smash of heavy waves. Wind rips
the corners of my eyes. Salty streams freeze on my face.
A life is little as a dropped feather. Or split shell
tossed ashore, lost under sand… But vision lives!
Vision, potent, regenerative, lives in bodies of words.
Your vision lives, Elizabeth, your words
from lip to lip perpetuated.

Two days have passed. Enough time, I think, for death
to be over.  As if your death were not before my knowing.
For a moment I jump back to when all was well and ordinary.
Today I could phone to Boston, say Hello… Oh, no!
Time’s tape runs forward only. There is no replay.

Light hurts. Yet the sky is dull today. I walk the shore.
I meet a red retriever, young, eager, galloping
out of the surf.  At first I do not notice his impairment.
His right hind leg is missing.  Omens…

I thought I saw a rabbit in the yard this morning.
It was a squirrel, its tail torn off. Distortions…

Ocean is gray again today, old and creased aluminum
without sheen. Nothing to see on that expanse.
Except, far out, low over sluggish waves, a long
clotted black string of cormorants trails south.
Fog-gray rags of foam swell in scallops up the beach,
their outlines traced by a troupe of pipers —
your pipers, Elizabeth! — their racing legs like the spokes
of tiny wire wheels.

Faintly, the flying string can still be seen.
It swerves, lowers, touching the farthest tips of waves.
Now it veers, appears to shorten, points straight out.
It slips behind the horizon. Vanished.

But vision lives, Elizabeth. Your vision multiplies,
is magnified in the bodies of words.
Not vanished, your vision lives from eye to eye,
your words from lip to lip perpetuated.

                                                     .May Swenson.

Adam’s Curse

We sat together at one summer’s end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, “A line will take us hours maybe;
Yet if it does not seem a moment’s thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.”

                          And thereupon
That beautiful mild woman for whose sake
There’s many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, “To be born woman is to know —
Although they do not talk of it at school —
That we must labour to be beautiful.”
I said, “It’s certain there is no fine thing
Since Adam’s fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
precedents out of beautiful old books;
Yet now it seems an idle trade enough.”

We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time’s waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one’s but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we’d grown
As weary-hearted as that hollow moon.

*William Butler Yeats*

In Dedication

All saints revile her, and all sober men
Ruled by the God Apollo’s golden mean -
In scorn of which I sailed to find her
In distant regions likeliest to hold her
Whom I desired above all things to know,
Sister of the mirage and echo.

It was a virtue not to stay,
To go my headstrong and heroic way
Seeking her out at the volcano’s head,
Among pack ice, or where the track had faded
Beyond the cavern of the seven sleepers:
Whose broad high brow was white as any leper’s,
Whose eyes were blue, with rowan-berry lips,
With hair curled honey-coloured to white hips.

Green sap of Spring in the young wood a-stir
Will celebrate the Mountain Mother,
And every song-bird shout awhile for her;
But I am gifted, even in November
Rawest of seasons, with so huge a sense
Of her nakedly worn magnificence
I forget cruelty and past betrayal,
Careless of where the next bright bolt may fall.

*Robert Graves*